Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln
Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln
Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln
Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln
Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln
Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln
Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln
Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln
Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln
Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln

Slip Trailing Petal Flower Plate White Porcelain - Crafted By Tokushichi Kiln

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Petals trailed in white slip on white porcelain — the pattern read by shadow rather than by colour. 12.4 cm across, 2.5 cm deep. Porcelain from Tokushichi Kiln in Saga.

Material: Porcelain
Made in Japan
Artisan: Tokushichi Kiln
Size: 12.4 × 2.5 cm (4.9 × 1.0 in)

By the same hands

View all works by Tokushichi Kiln →

・Handmade — One by One
Every piece from Japan Classic is formed and fired entirely by hand, in small quantities, one at a time. No two are ever exactly alike.

These handcrafted works carry slight variations in shape, weight, and surface, bearing the subtle marks of true craftsmanship rather than mass production.

・Living Glaze
On glazed pieces, you will find fine crackle patterns—known in Japan as kannyu (貫入)—naturally created as the glaze cools after firing.

This delicate finish evolves with time, reflecting the quiet beauty found in wabi-sabi ceramics.

・Elegance
Inspired by Japan’s timeless aesthetic, every piece by Japan Classic blends tradition with modern versatility.

Whether for rice, soups, or shared plates, these refined tablewares are designed for everyday beauty, maintaining their grace in both Eastern and Western settings.

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One of One

Each piece is shaped and fired by hand, one at a time. The slight distortions and fine crackle that appear as the glaze cools are not flaws — they are the maker's hand, still visible. No two pieces are ever the same. The one in the photograph is the one that arrives.

Made to Be Used

These are not display pieces behind glass. They are meant for your table — for rice, for tea, for ordinary evenings. With use, the glaze deepens in character. That slow change is the point.